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  • "The return of Francis, a penitent man, contemplating his future in the Church"...<br />
<br />
Francis of Assisi was a poor little man who astounded and inspired the Church by taking the gospel literally—not in a narrow fundamentalist sense, but by actually following all that Jesus said and did, joyfully, without limit, and without a sense of self-importance. The first change Francis experienced was his discovery of the value of the human person, irrespective of wealth, or social standing. He began to feel a deep inner kinship with the whole of humanity, but especially with the poor and the outcast. This new understanding of the human person is fundamentally identical to that found in the Gospels. So in the spring of 1205, he enlisted in Walter's army and set forth for Puglia, in southern Italy. But God had other plans, and Francis did not travel far. As soon as he reached the nearby city of Spoleto, Francis had a very strange dream. God appeared to him and ordered him to return home. Amid the bewilderment of his friends, Francis left all and made his way back to Assisi. This image of Francis on his horse in front of his eventual Basilica represents the contemplation of his growing faith. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church.  He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible anymore -- live by the Gospel.
    Il ritorno di Francesco uomo peniten..iesa
  • "The heavenly stairs on the morning walk along via S. Francesco - Assisi"...<br />
<br />
"My soul can find no staircase to Heaven unless it be through Earth's loveliness."  (Michelangelo)<br />
<br />
“And he said to him, “Amen, amen,* I say to you, you will see the sky opened and the angels of God ascending and descending on the Son of Man.” (John 1:51)<br />
<br />
“Then he had a dream: a stairway* rested on the ground, with its top reaching to the heavens; and God’s angels were going up and down on it.” (Genesis 28:12)
    Le scale celesti sulla mattina cammi..sisi
  • “Panoramic view from the Bar Giardino San Lorenzo of the Cathedral of San Rufino of Assisi”… <br />
<br />
Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. This charming oasis on top of Assisi, was analogous to a floral garden paradise, with astounding views of the valley below and as far away as Siena. Perfect areas abound with shaded tables and chairs and a hut for the main area of the tiny restaurant. The Italiani husband and wife smile graciously as they served up a lunch menu and drinks for the astounded patrons. It appeared to us Pilgrims that we stumbled on the most perfect plot of land in all of Assisi, and found ourselves blessed to sit and relax for moments as we could not help aiming our cameras at God’s pleasant surroundings. After dozens of images exhausted, and nourishment for our hunger and thirst, a sad goodbye was extended to our hosts and a touch of paradise. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Vista panoramica della Cattedrale di..enzo
  • “The Altar of the Church of San Domenico – Cortona”… <br />
<br />
This image originates from Cortona in what appeared to be a nondescript church on the edge of the walls surrounding the town… little did I know the history or famously beautiful art displayed inside. The Gothic Church of San Domenico was built in the 15th century as part of the Dominican Monastery. Sant'Antonio the Bishop of Florence and Blessed Fra Angelico, who is the patron Saint of artists and is called the “Blessed Angelic One,” lived in the monastery. The facade is simple and harmonious and the lunette over the doorway is a fresco by Fra Angelico. The interior has a single nave. Despite the reformations of the baroque altars, the church has retained its primitive beauty, especially enhanced by the elegance of the archways of the apses and the raised presbytery. The prestigious work of art on the high altar is a triptych signed by Lorenzo di Niccolò, donated in 1440 by Cosimo and Lorenzo de' Medici. The reason for such generosity was to influence Fra Angelico to reside in Florence and paint the Monastery of San Marco. The triptych depicts the Coronation of the Virgin with other scenes of the Annunciation and the Crucifixion. On the left apse of the church, there is the Madonna with Angels and Saints by Luca Signorelli. In Italy, many glorious surprises and blessings may be discovered in the least celebrated and prominent locations.
    L'Altare della Chiesa di San Domenic..tona
  • “Assisi serene afternoon view of the Cathedral of San Rufino and the Basilica of Santa Chiara from Rocco Maggiore above”…<br />
<br />
Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick, and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. After dozens of images exhausted, and nourishment for our hunger and thirst, a sad goodbye was extended to our hosts and a touch of paradise. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Assisi sereno pomeriggio vista della..alto
  • “Angelic Woman Resting Under the Sun at the Cathedral of San Rufino in Assisi”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo. As I rose to the top and turned the corner, the low late evening sun shone brightly on the façade of the Duomo illuminating a singular woman resting in the sun by the side door. It had become damp and chilly outside, and the warm sun illuminated her angelic face so much so, I froze in my tracks and gazed in awe upon this ethereal vision. I honestly thought she might fade away as I lifted my camera for one quick photograph from about 40 yards away. Perhaps she heard the click of the camera shutter and opened her eyes because she smiled and walked away. I wished she would have stayed longer. At least I have this one photo; however, a photo will never be able to capture the true essence of this mystical and surreal moment in time.
    Donna Angelicata di Riposo Sotto il ..sisi
  • “Our Lady of Sorrows - Cathedral of San Rufino, Assisi”…<br />
<br />
The first time I visited the Cathedral, I was laboriously working my way up the Assisi mountain top, of which the Cathedral of San Rufino is the last church. Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiore at the very top and working downward is much less strenuous. Although every building in Assisi celebrates Saint Francis, the city’s cathedral is dedicated to San Rufino. It's named for Assisi's patron saint, a former 3rd-century bishop, and martyr. After converting Assisi to Christianity, he was killed by drowning in a nearby river. The cathedral has been a very important aspect of the history of the Franciscan order. It was here that Saint Francis, Saint Clare, and many of their original disciples were baptized. Hearing Francis preaching in this church in 1209, Saint Clare became deeply touched by his message and realized her calling. In 1228, here for the canonization of Saint Francis, Pope Gregory IX consecrated the high altar. A humorous story of the relics of Saint Rufino remaining in this ancient church before it was consecrated as a Cathedral is part of history. The townspeople fought for the saint’s body with the current Bishop Ugone, who wanted to move it to the Cathedral of Santa Maria Maggiore. The citizens took a position against the move and started a real “tug of war” with the saint's coffin. The sixty Bishops’ men were beaten by only seven Assisi citizens. The victory was seen as miraculous, even by Ugone, who then decided to renovate the small Basilica, which eventually became the Cathedral for Assisi. Altare dell’ Addolorata consists of this dramatic statue of the Madonna Addolorata from 1672. Upon lighting candles for friends and family, a Franciscan Sister unknowingly posed in reflection completing the reverent presentation.
    Madonna Addolorata - Duomo di San Ru..sisi
  • "Rainbow of God divides the sky between San Rufino and St. Clare of Assisi"...<br />
<br />
This image is perhaps the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of a double rainbow from the heavens shining down between the Duomo of Saint Rufino, and the Basilica of Saint Clare. I was able to take a few horizontal and vertical images of the great length and depth of the rainbow just before the sun dropped down below the horizon...and, it slowly faded.  My Italian journey was now and forever blessed by the hand of God.
    Arcobaleno di Dio divide il cielo tr..sisi
  • "Hotel Giotto sunset view of the Museum of San Pietro and the Crypt of San Vittorino – Assisi"...<br />
<br />
Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. This charming oasis on top of Assisi, was analogous to a floral garden paradise, with astounding views of the valley below and as far away as Siena. As we meandered and descended downward toward our elegant Hotel Giotto near St. Francis Basilica, the sun began to pose and exhibit its colorful illuminations. The balcony was a perfect resting spot to capture this dramatic vision. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Hotel Giotto vista al tramonto del M..sisi
  • "Dynamic view from the Bar San Lorenzo Garden of the Cathedral of San Rufino of Assisi"...<br />
<br />
Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. This charming oasis on top of Assisi, was analogous to a floral garden paradise, with astounding views of the valley below and as far away as Siena. Perfect areas abound with shaded tables and chairs and a hut for the main area of the tiny restaurant. The Italiani husband and wife smile graciously as they served up a lunch menu and drinks for the astounded patrons. It appeared to us Pilgrims that we stumbled on the most perfect plot of land in all of Assisi, and found ourselves blessed to sit and relax for moments as we could not help aiming our cameras at God’s pleasant surroundings. After dozens of images exhausted, and nourishment for our hunger and thirst, a sad goodbye was extended to our hosts and to a touch of paradise. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Vista dinamica dal Bar Giardino San ..sisi
  • “The mystical rainbow of God above the Cathedral of San Rufino Assisi”…<br />
<br />
This image is perhaps one of the most blessed and miraculous of my Italian journey. Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, I was mesmerized at the appearance of this first of eventually two rainbows shining down behind the Duomo of Saint Rufino. I was able to capture a few horizontal and vertical images of the rainbows just as the sun began its descent below the horizon. My Italian journey was truly blessed by the hand of God.
    Il mistico arcobaleno di Dio sopra l..sisi
  • "Most Holy Crucifix inside the Cathedral of San Rufino Assisi painting by Dino Carbetta"...<br />
<br />
The first time I visited the Cathedral, I was laboriously working my way up the Assisi mountain top, of which the Cathedral of San Rufino is the last church. Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous. Although every building in Assisi celebrates Saint Francis, the city’s cathedral is dedicated to San Rufino. It's named for Assisi's patron saint, a former 3rd-century bishop, and martyr. After converting Assisi to Christianity, he was killed by drowning in a nearby river. The cathedral has been a very important aspect in the history of the Franciscan order. It was here that Saint Francis, Saint Clare, and many of their original disciples were baptized. Hearing Francis preaching in this church in 1209, Saint Clare became deeply touched by his message and realized her calling. In 1228, here for the canonization of Saint Francis, Pope Gregory IX consecrated the high altar. A humorous story of the relics of Saint Rufino remaining in this ancient church before it was consecrated as a Cathedral is part of history. The townspeople fought for the saint’s body with the current Bishop Ugone, who wanted to move it to the Cathedral of Santa Maria Maggiore. The citizens took a position against the move and started a real “tug of war” with the saint's coffin. The sixty Bishops’ men were beaten by only seven Assisi citizens. The victory was seen as miraculous, even by Ugone, who then decided to renovate the small Basilica, which eventually became the Cathedral for Assisi. I was struck by the elegant beauty of the “Holy Crucifix” inside the chapel. The apparent artist was Don Doni in 1561. It is carried in the annual procession in Assisi each Good Friday. The face of Christ reveals His suffering, however, it also exudes His beatification and contentment of the fulfillment of Holy Prophesy.
    Santissimo Crocifisso all'interno de..etta
  • “Sunlight illuminates the Crucifixion on the main altar of the Cathedral of San Rufino in Assisi”…<br />
<br />
The first time I visited the Cathedral, I was laboriously working my way up the Assisi mountain top, of which the Cathedral of San Rufino is the last church. Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous. Although every building in Assisi celebrates Saint Francis, the city’s cathedral is dedicated to San Rufino. It's named for Assisi's patron saint, a former 3rd-century bishop, and martyr. After converting Assisi to Christianity, he was killed by drowning in a nearby river. The cathedral has been a very important aspect in the history of the Franciscan order. It was here that Saint Francis, Saint Clare, and many of their original disciples were baptized. Hearing Francis preaching in this church in 1209, Saint Clare became deeply touched by his message and realized her calling. In 1228, here for the canonization of Saint Francis, Pope Gregory IX consecrated the high altar. A humorous story of the relics of Saint Rufino remaining in this ancient church before it was consecrated as a Cathedral is part of history. The townspeople fought for the saint’s body with the current Bishop Ugone, who wanted to move it to the Cathedral of Santa Maria Maggiore. The citizens took a position against the move and started a real “tug of war” with the saint's coffin. The sixty Bishops’ men were beaten by only seven Assisi citizens. The victory was seen as miraculous, even by Ugone, who then decided to renovate the small Basilica, which eventually became the Cathedral for Assisi. The relics of St Rufino were removed from the crypt and translated to a new sarcophagus under the High Altar and newly-completed nave in 1586. The luminous window light on the side of the Crucifix surrounding Christ with Heaven’s brilliancy captured my abiding heart and unwavering soul.
    La luce del sole illumina la Crocifi..sisi
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi"...<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..sisi
  • "Three-dimensional artistic impression of Glorious Our Lady of Sorrows - Cathedral of San Rufino, Assisi"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Impressione artistica tridimensional..sisi
  • “Sunlight illuminates the Crucifixion of the main altar of the Cathedral of San Rufino in Assisi”…<br />
<br />
The first time I visited the Cathedral, I was laboriously working my way up the Assisi mountain top, of which the Cathedral of San Rufino is the last church. Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous. Although every building in Assisi celebrates Saint Francis, the city’s cathedral is dedicated to San Rufino. It's named for Assisi's patron saint, a former 3rd-century bishop, and martyr. After converting Assisi to Christianity, he was killed by drowning in a nearby river. The cathedral has been a very important aspect in the history of the Franciscan order. It was here that Saint Francis, Saint Clare, and many of their original disciples were baptized. Hearing Francis preaching in this church in 1209, Saint Clare became deeply touched by his message and realized her calling. In 1228, here for the canonization of Saint Francis, Pope Gregory IX consecrated the high altar. A humorous story of the relics of Saint Rufino remaining in this ancient church before it was consecrated as a Cathedral is part of history. The townspeople fought for the saint’s body with the current Bishop Ugone, who wanted to move it to the Cathedral of Santa Maria Maggiore. The citizens took a position against the move and started a real “tug of war” with the saint's coffin. The sixty Bishops’ men were beaten by only seven Assisi citizens. The victory was seen as miraculous, even by Ugone, who then decided to renovate the small Basilica, which eventually became the Cathedral for Assisi.  The relics of St Rufino were removed from the crypt and translated to a new sarcophagus under the High Altar and newly-completed nave in 1586. The luminous window light on the side of the Crucifix surrounding Christ with Heaven’s brilliancy captured my abiding heart and unwavering soul.
    La luce del sole illumina la Crocifi..sisi
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi”…<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Radiante Azzurre ..sisi
  • “Panoramic view from the Bar Giardino San Lorenzo of the Cathedral of San Rufino of Assisi”… <br />
<br />
Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. This charming oasis on top of Assisi, was analogous to a floral garden paradise, with astounding views of the valley below and as far away as Siena. Perfect areas abound with shaded tables and chairs and a hut for the main area of the tiny restaurant. The Italiani husband and wife smile graciously as they served up a lunch menu and drinks for the astounded patrons. It appeared to us Pilgrims that we stumbled on the most perfect plot of land in all of Assisi, and found ourselves blessed to sit and relax for moments as we could not help aiming our cameras at God’s pleasant surroundings. After dozens of images exhausted, and nourishment for our hunger and thirst, a sad goodbye was extended to our hosts and to a touch of paradise. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Vista panoramica dal Bar Giardino Sa..sisi
  • "Santa Chiara in the Cathedral of San Rufino Assisi"...<br />
<br />
Clare was born in 1193 in Assisi of nobility, the oldest child. At 18, Clare escaped from her father’s home one night, was met on the road by friars carrying torches, and in the poor little chapel called the Portiuncula received a rough woolen habit, exchanged her jeweled belt for a common rope, and sacrificed her long tresses to Francis’ scissors. He placed her in a Benedictine convent, which her father and uncles immediately stormed in rage. Clare clung to the altar of the church, threw aside her veil to show her cropped hair, and remained adamant. Sixteen days later her sister Agnes joined her. Others came. They lived a simple life of great poverty, austerity, and complete seclusion from the world, according to a Rule which Francis gave them as a Second Order. At age 21, Francis obliged Clare under obedience to accept the office of abbess, one she exercised until her death. Contemporary accounts glow with admiration of Clare’s life in the convent of San Damiano in Assisi. She served the sick and washed the feet of the begging nuns. She came from prayer, it was said, with her face so shining it dazzled those about her. She suffered a serious illness for the last 27 years of her life. Her influence was such that popes, cardinals, and bishops often came to consult her—Clare herself never left the walls of San Damiano. Francis always remained her great friend and inspiration. Clare was always obedient to his will and to the great ideal of gospel life which he was making real. A well-known story concerns her prayer and trust. Clare had the Blessed Sacrament placed on the walls of the convent when it faced attack by invading Saracens. “Does it please you, O God, to deliver into the hands of these beasts the defenseless children I have nourished with your love? I beseech you, dear Lord, protect these whom I am now unable to protect.” To her sisters, she said, “Don’t be afraid. Trust in Jesus.” The Saracens fled.
    Santa Chiara nella Cattedrale di San..sisi
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Luminance"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..anza
  • "Most Holy Crucifix inside the Cathedral of San Rufino Assisi"...<br />
<br />
The first time I visited the Cathedral, I was laboriously working my way up the Assisi mountain top, of which the Cathedral of San Rufino is the last church. Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous. Although every building in Assisi celebrates Saint Francis, the city’s cathedral is dedicated to San Rufino. It's named for Assisi's patron saint, a former 3rd-century bishop, and martyr. After converting Assisi to Christianity, he was killed by drowning in a nearby river. The cathedral has been a very important aspect in the history of the Franciscan order. It was here that Saint Francis, Saint Clare, and many of their original disciples were baptized. Hearing Francis preaching in this church in 1209, Saint Clare became deeply touched by his message and realized her calling. In 1228, here for the canonization of Saint Francis, Pope Gregory IX consecrated the high altar. A humorous story of the relics of Saint Rufino remaining in this ancient church before it was consecrated as a Cathedral is part of history. The townspeople fought for the saint’s body with the current Bishop Ugone, who wanted to move it to the Cathedral of Santa Maria Maggiore. The citizens took a position against the move and started a real “tug of war” with the saint's coffin. The sixty Bishops’ men were beaten by only seven Assisi citizens. The victory was seen as miraculous, even by Ugone, who then decided to renovate the small Basilica, which eventually became the Cathedral for Assisi. I was struck by the elegant beauty of the “Holy Crucifix” inside the chapel. The apparent artist was Don Doni in 1561. It is carried in the annual procession in Assisi each Good Friday. The face of Christ reveals His suffering, however, it also exudes His beatification and contentment of the fulfillment of Holy Prophesy.
    Santissimo Crocifisso all'interno de..sisi
  • "Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi - Splendor"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Gloriosa Madonna Addolorata - Duomo..dore
  • “Chapel of the Holy Crucifix inside the Cathedral of San Rufino Assisi”…<br />
<br />
The first time I visited the Cathedral, I was laboriously working my way up the Assisi mountain top, of which the Cathedral of San Rufino is the last church. Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous. Although every building in Assisi celebrates Saint Francis, the city’s cathedral is dedicated to San Rufino. It's named for Assisi's patron saint, a former 3rd-century bishop, and martyr. After converting Assisi to Christianity, he was killed by drowning in a nearby river. The cathedral has been a very important aspect in the history of the Franciscan order. It was here that Saint Francis, Saint Clare, and many of their original disciples were baptized. Hearing Francis preaching in this church in 1209, Saint Clare became deeply touched by his message and realized her calling. In 1228, here for the canonization of Saint Francis, Pope Gregory IX consecrated the high altar. A humorous story of the relics of Saint Rufino remaining in this ancient church before it was consecrated as a Cathedral is part of history. The townspeople fought for the saint’s body with the current Bishop Ugone, who wanted to move it to the Cathedral of Santa Maria Maggiore. The citizens took a position against the move and started a real “tug of war” with the saint's coffin. The sixty Bishops’ men were beaten by only seven Assisi citizens. The victory was seen as miraculous, even by Ugone, who then decided to renovate the small Basilica, which eventually became the Cathedral for Assisi.  I was struck by the elegant beauty of the “Holy Crucifix” inside the chapel. The apparent artist was Don Doni in 1561. It is carried in the annual procession in Assisi each Good Friday. The face of Christ reveals His suffering, however, it also exudes His beatification and contentment of the fulfillment of Holy Prophesy.
    Cappella del Santissimo Crocifisso a..sisi
  • "Saint John the Baptist - Basilica Cateriniana of San Domenico Siena"...<br />
<br />
Our first stop in Siena was for Mass at the Basilica Cateriniana of San Domenico. It is an immense ancient brick church founded by the Dominicans in 1125 as part of their friary. San Domenico is closely associated with St. Catherine of Siena, and the actual head of the Saint is located in the Chapel of Saint Catherine. The third chapel consists of a sculpture of Saint John the Baptist, the work of artist Matteo di Giovanni. St. John, the great religious reformer was sent by God to prepare the people for the Messiah. His vocation was one of selfless giving. “I am baptizing you with water, for repentance, but the one who is coming after me is mightier than I. I am not worthy to carry his sandals. He will baptize you with the Holy Spirit and fire” (Matthew 3:11). Scripture tells us that many people followed John looking to him for hope.   St. John never allowed himself the false honor of receiving these people for his own glory. He knew his calling was one of preparation. When the time came, he led his disciples to Jesus: “The next day John was there again with two of his disciples, and as he watched Jesus walk by, he said, ‘Behold, the Lamb of God.’ The two disciples heard what he said and followed Jesus” (John 1:35-37). We then ventured across the piazza of Siena to the Basilica of St Francis and were blessed to view the Eucharistic miracle of Siena. Since they are in such a perfect state of conservation, maintaining the appearances of bread, the Catholic Church assures us that although they were consecrated in the year 1730, these Eucharistic Hosts are still really and truly the Body of Christ. The miraculous Hosts have been cherished and venerated for over 250 years. We completed our blessed day with visits to the childhood home of St. Catherine and the Cathedral of Siena. A complete spiritual and physically exhausting day of true pilgrimage was had by all!
    San Giovanni Battista - Basilica Cat..iena
  • “Blessed Madonna inside the Cathedral of San Rufino in Assisi - Painting by Dino Carbetta”…<br />
<br />
Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed." Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain was highlighted by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo. “O Mary, you shine continuously on our journey as a sign of salvation and hope. We entrust ourselves to you, Health of the Sick. At the foot of the Cross, you participated in Jesus’ pain, with steadfast faith. You, Salvation of the Faithful Peoples, know what we need. We are certain that you will provide, so that, as you did at Cana of Galilee, joy and feasting might return after this moment of trial. Help us, Mother of Divine Love, to conform ourselves to the Father’s will and to do what Jesus tells us: He who took our sufferings upon Himself, and bore our sorrows to bring us, through the Cross, to the joy of the Resurrection. Amen. We seek refuge under your protection, O Holy Mother of God. Do not despise our pleas – we who are put to the test – and deliver us from every danger, O glorious and blessed Virgin.” Pope Francis.
    Beata Madonna all'interno della Catt..etta
  • "Blessed Mother Mary in the Cathedral of San Rufino of Assisi"...<br />
<br />
Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed." Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo.
    Beata Madre Maria all'interno della ..sisi
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Olivina"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..vina
  • "Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Gloriosa Madonna Addolorata - Duomo..sisi
  • "Double rainbow of God shines Between San Rufino and St. Clare of Assisi"...<br />
<br />
This image is perhaps the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of a double rainbow from the heavens shining down between the Duomo of Saint Rufino, and the Basilica of Saint Clare. I was able to take a few horizontal and vertical images of the great length and depth of the rainbow just before the sun dropped down below the horizon...and, it slowly faded.  My Italian journey was now and forever blessed by the hand of God.
    Doppio arcobaleno di Dio risplende T..sisi
  • "Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi - Brightening"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Gloriosa Madonna Addolorata - Duomo..rire
  • “Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi”…<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..sisi
  • “Saint Joseph and Baby Jesus - Santa Maria Maggiore in Assisi and Venice - Painting by Dino Carbetta”…<br />
<br />
The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history. This image is a compilation painting of several images I combined from Assisi to Venice. Saint Joseph is the patron of the Universal Church. Here along with the young Christ, the painting reveals both Perfect and Sacred Hearts.
    San Giuseppe e Gesù Bambino - Santa ..etta
  • “Rising above the Basilica Piazza San Francesco – Assisi - BW”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore, was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance.
    L'aumento di sopra della piazza di B..- BW
  • “Rising above the Basilica Piazza San Francesco – Assisi”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore, was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance.
    L'aumento di sopra della piazza di B..sisi
  • “The Return of Francis penitent man, contemplating his future in Christ”… <br />
<br />
Francis of Assisi was a poor little man who astounded and inspired the Church by taking the gospel literally—not in a narrow fundamentalist sense, but by actually following all that Jesus said and did, joyfully, without limit, and without a sense of self-importance. The first change Francis experienced was his discovery of the value of the human person, irrespective of wealth or social standing. He began to feel a deep inner kinship with the whole of humanity, but especially with the poor and the outcast. This new understanding of the human person is fundamentally identical to that found in the Gospels. So in the spring of 1205, he enlisted in Walter's army and set forth for Puglia, in southern Italy. But God had other plans, and Francis did not travel far. As soon as he reached the nearby city of Spoleto, Francis had a very strange dream. God appeared to him and ordered him to return home. Amid the bewilderment of his friends, Francis left all and made his way back to Assisi. This image of Francis on his horse in front of his eventual Basilica represents the contemplation of his growing faith. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel.
    Il ritorno di Francesco uomo peniten..isto
  • “Saint James the Great in the Archbasilica of San Giovanni in Laterano Rome”…<br />
<br />
Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and of the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was the residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. In 1702, Pope Clement XI announced a grand scheme for twelve sculptures of the Apostles to fill the niches left in the nave of the Basilica. The commission was opened to all the premier sculptors of late Baroque Rome, Camillo Rusconi was the sculptor of brothers St. James and St. John. One cannot help being impressed by the larger than life statues of these great men blessing the nave with their imposing presence. James was one of the favored three who had the privilege of witnessing the Transfiguration, the raising to life of the daughter of Jairus, and the agony in Gethsemani. Saint Matthew tells that their mother came—Mark says it was the brothers themselves—to ask that they have the seats of honor in the kingdom. “Jesus said in reply, ‘You do not know what you are asking. Can you drink the cup that I am going to drink?’ They said to him, ‘We can’” (Matthew 20:22). Jesus then told them they would indeed drink the cup and share his baptism of pain and death, but that sitting at his right hand or left was not his to give—it “is for those for whom it has been prepared by my Father” (Matthew 20:23b). It remained to be seen how long it would take to realize the implications of their confident “We can!”
    San Giacomo il Grande nell Arcibasil..Roma
  • "Blessed Madonna inside the Cathedral of San Rufino di Assisi"...<br />
<br />
Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed." Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the Fortress was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo. “O Mary, you shine continuously on our journey as a sign of salvation and hope. We entrust ourselves to you, Health of the Sick. At the foot of the Cross, you participated in Jesus’ pain, with steadfast faith. You, Salvation of the Faithful Peoples, know what we need. We are certain that you will provide, so that, as you did at Cana of Galilee, joy and feasting might return after this moment of trial. Help us, Mother of Divine Love, to conform ourselves to the Father’s will and to do what Jesus tells us: He who took our sufferings upon Himself, and bore our sorrows to bring us, through the Cross, to the joy of the Resurrection. Amen. We seek refuge under your protection, O Holy Mother of God. Do not despise our pleas – we who are put to the test – and deliver us from every danger, O glorious and blessed Virgin.” Pope Francis
    Beata Madonna all'interno della Catt..sisi
  • "Triptych above the altar of the Church of San Domenico - Cortona"...<br />
<br />
This image was created in Cortona in what appeared to be a nondescript church on the edge of the walls surrounding the town… little did I know the history or famously beautiful art displayed inside.  The Gothic Church of San Domenico was built in the 15th century as part of the Dominican Monastery. Sant'Antonio the Bishop of Florence and Blessed Fra Angelico, who is the patron Saint of artists and is called the “Blessed Angelic One”, lived in the monastery. The facade is simple and harmonious and the lunette over the doorway is a fresco by Fra Angelico. The interior has a single nave. Despite the reformations of the baroque altars, the church has retained its primitive beauty, especially enhanced by the elegance of the archways of the apses and the raised presbytery. The prestigious work of art on the high altar is a triptych signed by Lorenzo di Niccolò, donated in 1440 by Cosimo and Lorenzo de' Medici. The reason for such generosity was to influence Fra Angelico to reside in Florence and paint the Monastery of San Marco. The triptych depicts the Coronation of the Virgin with other scenes of the Annunciation and the Crucifixion. On the left apse of the church there is the Madonna with Angels and Saints by Luca Signorelli.  In Italy, many glorious surprises and blessings may be discovered in the least celebrated and prominent locations…
    Trittico sopra l'Altare della Chiesa..tona
  • “Basilica di San Lorenzo Campanile – Florence”…<br />
<br />
Of all the Catholic buildings in Florence, none are documented earlier than San Lorenzo. It was consecrated in 393 by St. Ambrose, and acted as the city’s cathedral until it was rebuilt in the Romanesque period, and re-consecrated in 1059.  In 1418, the Medici family decided to rebuild it entirely, and entrusted the project to Filippo Brunelleschi who completed it in 1461. In the next century, Michelangelo was commissioned to build the New Sacristy and the Laurentian Library. The church interior architecture is a Latin-Cross with the aisles separated from the nave by Corinthian columns surmounted by high sculpted entablature blocks supporting rounded arches. The two bronze pulpits are great works of Donatello, achieving intense dramatic expressivity of New Testament Biblical scenes. The most celebrated and grandest part of San Lorenzo is the Cappelle Medici (Medici Chapels) in the apse. The Medicis were still paying for it when the last member of the family, Anna Maria Luisa de' Medici, died in 1743. Almost fifty members of the family are buried in the crypt, designed by Bernardo Buontalenti. The Medicis also donated large sums of money for the façade.  However, it has yet to be built even though Michelangelo designed the plans.  The campanile dates from 1740, and as I meandered with wonderment about Florence one evening in the direction of San Lorenzo, the bright descending sun blinded me as I turned the corner. Stopping in my tracks, I waited with anticipation as it fell just below the cupola and campanile blessing the view with a perfect silhouette, glowing crosses, and a symbolic reflection.
    Basilica di San Lorenzo Campanile - ..enze
  • “Heavens erupting with rainbows over the Cathedral of San Rufino Assisi”…<br />
<br />
This image is perhaps one of the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of this first of eventually two rainbows shining down behind the Duomo of Saint Rufino. I was able to take a few horizontal and vertical images of the rainbows just as the sun began it's decent below the horizon. My Italian journey was truly blessed by the hand of God. This image is a vertical panorama combining two vertical and one horizontal image.
    Cieli in eruzione con arcobaleni sop..sisi
  • "Looking up to the Crucified Christ in the Cathedral of San Rufino in Assisi"...<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore, was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo.  Peering upward from the perspective of the Christian witnesses to the crucifixion, one cannot imagine His passion and pain. Yet, with great scrutiny… His pain more internal, and His vision external for all to see.
    Guardando verso l'alto a Crocifisso ..sisi
  • "Rainbow of God shines Between San Rufino and St. Clare of Assisi"...<br />
<br />
This image is perhaps one of the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of a double rainbow from the heavens shining down between the Duomo of Saint Rufino, and the Basilica of Saint Clare. I was able to take this close-up horizontal image of the rainbow just before the sun dropped down below the horizon...and, it slowly faded.  My Italian journey was now and forever blessed by the hand of God.
    Arcobaleno di Dio risplende Tra San ..sisi
  • "The sun sets behind the Church of San Giacomo Maggiore - Orvieto"...<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa, and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this cliff top village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. A hospice for the poor and traveling pilgrims was established on this location in 1187 and the site eventually developed into a civic hospital.  Pope Clement IV gave permission for the erection of a chapel and cemetery in 1266.  Eventually the church finally closed in 2000, when the new Ospedale di Santa  Maria della Stella opened at nearby Ciconia.
    Il sole tramonta dietro la Chiesa di..ieto
  • “Luminous Madonna - Santa Maria Maggiore in Assisi - Painting by Dino Carbetta”…<br />
<br />
The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history. Hail Mary, full of grace, the Lord is with you. Blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen.
    Luminous Madonna - Santa Maria Maggi..etta
  • "Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi"...<br />
<br />
The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built on this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal their age and status throughout history.
    Crocifissione sopra l'altare della C..sisi
  • "Luminous Madonna - Santa Maria Maggiore in Assisi"...<br />
<br />
The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history.
    Luminous Madonna - Santa Maria Maggi..sisi
  • “The Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi”…<br />
<br />
My artistic interpretation here is of the Crucified Jesus as primary to the Image of The Divine Mercy. St. Faustina asked the Lord about the meaning of the rays in the image: The two rays denote Blood and Water. The pale ray stands for the Water which makes souls righteous. The red ray stands for the Blood which is the life of souls. These two rays issued forth from the depths of My tender mercy when My agonized Heart was opened by a lance on the Cross. Happy is the one who will dwell in their shelter, for the just hand of God shall not lay hold of him. The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history.
    La Crocifissione sopra l'altare a Ch..sisi
  • "The Evening Snow covers the Church of Santa Maria Nuova - Cortona"...<br />
<br />
Rising high up on the hillside below Cortona, the church of Santa Maria Nuova stands majestically keeping a watchful eye over the valley. The ancient dome ascends above the trees, and especially during foggy weather, aspires toward the heavens. Initial construction began in 1550 when Giorgio Vasari became engaged with the project. One of my favorite Renaissance men, Vasari was an Italian painter, architect, writer, and historian. He is famous today for his “Lives of the Most Excellent Painters, Sculptors, and Architects,” and considered the ideological foundation of art-historical writing. The design changed to a classic Renaissance style temple based on the Greek cross plan. The Church’s location was predestined, as miraculous apparitions of the Madonna occurred in this exact setting. It is also located along the road which leads to Del Convento di Celle fondato da San Francesco (Convent of the Cells founded by St. Francis). Stationed below the ancient wall and olive trees, the noble dome seemed to pierce into the dramatic clouds above…confident in its symbolic beauty. Snow and fog often radiate up the ancient hilltop of Cortona from the valley and lake below to the cooler fortified town above. The enchanting effect will bequeath one with mystical views of the distinguished Basilica immersed in a haze of clouds.
    La Sera Neve copre la Chiesa di Sant..tona
  • “Evening fog blankets the Church of Santa Maria Nuova – Cortona”…<br />
<br />
Rising high upon the hillside below Cortona, the church of Santa Maria Nuova stands majestically keeping a watchful eye over the valley. The ancient dome ascends above the trees, and especially during foggy weather, aspires toward the heavens. Initial construction began in 1550 when Giorgio Vasari became engaged with the project.  One of my favorite Renaissance men, Vasari was an Italian painter, architect, writer, and historian. He is famous today for his “Lives of the Most Excellent Painters, Sculptors, and Architects,” and considered the ideological foundation of art-historical writing.  The design changed to a classic Renaissance style temple based on the Greek cross plan. The Church’s location was predestined, as miraculous apparitions of the Madonna occurred on this exact setting.  It is also located along the road which leads to Del Convento di Celle fondato da San Francesco (Convent of the Cells founded by St. Francis).  Stationed below the ancient wall and olive trees, the noble dome seemed to pierce into the dramatic clouds above…confident in its symbolic beauty.  Fog often seeps up the ancient hilltop of Cortona from the valley and lake below to the cooler fortified town above. The enchanting affect will bequeath one with mystical views of the distinguished Basilica immersed in a haze of clouds.
    Nebbia di Sera le le coperte Chiesa ..tona
  • “Joust of the festival - Ancient Book Binder Cortona”…<br />
<br />
Every year, a procession of 300 or more people wearing wonderful medieval costumes, as well as many riders on their horses, parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli.  This image of the ancient Book Binder is the quintessential representation of the medieval Tuscan Cortona.
    Giostra del festival - Libro Antico ..tona
  • "Cannaregio Canal Tolentino Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating.  We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Cannaregio Canal Tolentino Venezia
  • “The light of God falls on the bell tower of Santa Maria Maggiore – Assisi”…<br />
<br />
After a progressive but slow ascent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The view is a rear view of the church and campanile of Santa Maria Maggiore, the first cathedral of Assisi which was built near the Roman city walls of the 4th century. The crypt under the apse of the present church is the oldest surviving part of the structure and dates to the 9th or 10th century. Santa Maria Maggiore remained the cathedral of Assisi until 1035 when San Rufino assumed this function.
    La luce di Dio cade sul campanile di..sisi
  • “Evening above Santa Maria delle Grazie in Cortona”…<br />
<br />
The ancient church of Santa Maria delle Grazie Calcinaio is resting on the hillside, presiding in a welcoming posture to all those strong enough to brave Cortona’s steep inclines.  The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoe makers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.
    Sera al di sopra di Santa Maria dell..tona
  • “Archidado Cortona”…<br />
<br />
Every year, a procession of 300 or more people wearing wonderful medieval costumes, as well as many riders on their horses, parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli.  Flag throwing (or flag tossing) is often a major part of the historical costume festivals that are one of the great attractions of Tuscany and, indeed, of all Italy. The performers, known as Sbandieratori, usually young men but with an increasing number of young ladies taking part, dress in medieval costumes and are usually accompanied by drummers (Tamburi) and sometimes trumpeters (Trombettieri).  Skills range from good to truly excellent. The younger participants engage in synchronized flag waving through tossing and catching their own flags, while the truly skilled carry out amazing and beautiful exercises involving simultaneously throwing two flags to two partners in their team.  In this image are three band members posing and waving, with a little girl eating Gelato as she seems enamored with the Sbandieratori.
    Giostra dell'Archidao Cortona
  • "The evening sun radiates over the hilltop of Cortona"... <br />
<br />
The ancient church of Santa Maria delle Grazie Calcinaio is resting on the hillside, presiding in a welcoming posture to all those strong enough to brave Cortona’s steep inclines. The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance-style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoemakers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970. If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the Bellissimo Tuscan Sun.
    Il sera sole si irradia sopra la col..tona
  • “The sunset illuminates the bell tower of Santa Maria Maggiore - Assisi”…<br />
<br />
After a progressive but slow ascent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The view is a rear view of the church and campanile of Santa Maria Maggiore, the first cathedral of Assisi which was built near the Roman city walls of the 4th century. The crypt under the apse of the present church is the oldest surviving part of the structure and dates to the 9th or 10th century. Santa Maria Maggiore remained the cathedral of Assisi until 1035 when San Rufino assumed this function.
    Il tramonto illumina il campanile di..sisi
  • “Christus Patiens above the High Altar of the Franciscan Basilica of Santa Chiara d'Assisi”…<br />
<br />
Around sunset, the clouds shifted and the descending sun illuminated the Assisi mountaintop as a slight mist of rain mystified the landscape. The ascent was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. As I approached the last two Churches after 7:00 pm; the Basilica of Saint Clare, and the Cathedral of Saint Rufino...I noticed the security guard locking Santa Chiara’s front door. I rushed forward anxiously and begged to just look quickly inside the Vestibule. He only spoke Italian and frustrated with me, said I had one minute inside. Aiming my camera and telephoto lens directly toward the High Altar which seemed a mile away, I clicked one picture as the guard hastily gestured me outside. Ironically, I found that no pictures are allowed in this Basilica. And, on my Pilgrimage of 2019, was frustrated during my tour of the historic and reverent church, still, no pictures were allowed. I always try to respect the rules and venerate every location, however, I did take two very surreptitious images in the Oratorio del Crocifisso (Oratory of the Crucifix), a peaceful chapel that preserves the venerable 12th-century crucifix that spoke to St. Francis at San Damiano. This abrupt photo of the painted crucifix still hangs above the high altar of Santa Chiara and was probably the first painting that was commissioned for the new church. The image was conceived shortly before Saint Clare’s death in 1260 and is attributed to the Maestro di Santa Chiara. The iconography of Christus Patiens (the dying Christ on the Cross) was widely used in early Franciscan churches. In this example, the Virgin and St John the Evangelist flank the Cross, with another figure of the Virgin (praying and flanked by angels) and Christ Pantocrator above.
    Christus Patiens sopra l'Altare Magg..sisi
  • "Midnight at Piaggia di Porta San Pietro in Assisi"... <br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and Strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day-long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. Drifting forward the serene, quiet Basilica of Saint Francis stood majestically and glowed in the distant midnight skies. One could not help but to acquiesce to its spiritual yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Mezzanotte presso Piaggia di Porta S..sisi
  • "Farmhouse Podere della Chiesa - Santa Maria Nuova Cortona"...<br />
<br />
Rising high upon the hillside below Cortona, the church of Santa Maria Nuova stands majestically keeping a watchful eye over the valley and the ancient farmhouse below. The antiquated dome ascends above the trees, and especially during foggy weather, aspires toward the heavens. Initial construction began in 1550 when Giorgio Vasari became engaged with the project. One of my favorite Renaissance men, Vasari was an Italian painter, architect, writer, and historian. He is famous today for his “Lives of the Most Excellent Painters, Sculptors, and Architects,” and considered the ideological foundation of art-historical writing. The design changed to a classic Renaissance style temple based on the Greek cross plan. The Church’s location was predestined, as miraculous apparitions of the Madonna occurred on this exact setting. It is also located along the road which leads to Del Convento di Celle fondato da San Francesco (Convent of the Cells founded by St. Francis). Stationed below the ancient wall and olive trees, the noble dome seemed to pierce into the dramatic clouds above…confident in its symbolic beauty. Fog often seeps up the ancient hilltop of Cortona from the valley and lake below to the cooler fortified town above. The enchanting affect will bequeath one with mystical views of the distinguished Basilica. It remains immersed in a haze of clouds protecting the antique farmhouse and olive trees below.
    Agriturismo Podere della Chiesa - Sa..tona
  • “Church of Santa Maria Nuova – Cortona - BW”…<br />
<br />
Rising high upon the hillside below Cortona, the church of Santa Maria Nuova stands majestically keeping a watchful eye over the valley. The ancient dome ascends above the trees, and especially during foggy weather, aspires toward the heavens. Initial construction began in 1550 when Giorgio Vasari became engaged with the project.  One of my favorite Renaissance men, Vasari was an Italian painter, architect, writer, and historian. He is famous today for his “Lives of the Most Excellent Painters, Sculptors, and Architects,” and considered the ideological foundation of art-historical writing.  The design changed to a classic Renaissance style temple based on the Greek cross plan. The Church’s location was predestined, as miraculous apparitions of the Madonna occurred on this exact setting.  It is also located along the road which leads to Del Convento di Celle fondato da San Francesco (Convent of the Cells founded by St. Francis).  Stationed below the ancient wall and olive trees, the noble dome seemed to pierce into the dramatic clouds above…confident in its symbolic beauty.
    Chiesa di Santa Maria Nuova - Corton..- BW
  • “Church of Santa Maria Nuova – Cortona”…<br />
<br />
Rising high upon the hillside below Cortona, the church of Santa Maria Nuova stands majestically keeping a watchful eye over the valley. The ancient dome ascends above the trees, and especially during foggy weather, aspires toward the heavens. Initial construction began in 1550 when Giorgio Vasari became engaged with the project.  One of my favorite Renaissance men, Vasari was an Italian painter, architect, writer, and historian. He is famous today for his “Lives of the Most Excellent Painters, Sculptors, and Architects,” and considered the ideological foundation of art-historical writing.  The design changed to a classic Renaissance style temple based on the Greek cross plan. The Church’s location was predestined, as miraculous apparitions of the Madonna occurred on this exact setting.  It is also located along the road which leads to Del Convento di Celle fondato da San Francesco (Convent of the Cells founded by St. Francis).  Stationed below the ancient wall and olive trees, the noble dome seemed to pierce into the dramatic clouds above…confident in its symbolic beauty.
    Chiesa di Santa Maria Nuova - Cortona
  • “Archidado Cortona games”…<br />
<br />
Every year, a procession of 300 or more people wearing wonderful medieval costumes, as well as many riders on their horses, parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli.  Flag throwing (or flag tossing) is often a major part of the historical costume festivals that are one of the great attractions of Tuscany and, indeed, of all Italy. The performers, known as Sbandieratori, usually young men but with an increasing number of young ladies taking part, dress in medieval costumes and are usually accompanied by drummers (Tamburi) and sometimes trumpeters (Trombettieri). Skills range from good to truly excellent. The younger participants engage in synchronized flag waving through tossing and catching their own flags, while the truly skilled carry out amazing and beautiful exercises involving simultaneously throwing two flags to two partners in their team.  I was fortunate to arrive in Cortona from Roma on Sunday, the last day of the festival.
    Giostra dell'Archidao Cortona partite
  • “Archidado Cortona game”…<br />
<br />
Every year, a procession of 300 or more people wearing wonderful medieval costumes, as well as many riders on their horses, parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli.  Flag throwing (or flag tossing) is often a major part of the historical costume festivals that are one of the great attractions of Tuscany and, indeed, of all Italy. The performers, known as Sbandieratori, usually young men but with an increasing number of young ladies taking part, dress in medieval costumes and are usually accompanied by drummers (Tamburi) and sometimes trumpeters (Trombettieri). Skills range from good to truly excellent. The younger participants engage in synchronized flag waving through tossing and catching their own flags, while the truly skilled carry out amazing and beautiful exercises involving simultaneously throwing two flags to two partners in their team.  I was fortunate to arrive in Cortona from Roma on Sunday, the last day of the festival.
    Giostra dell'Archidao Cortona partita
  • “Evening fog rolling down the hill of Cortona - Oil painting”…<br />
<br />
This image was created using three horizontal photographs stitched together to form a panoramic evening view of Cortona.  The ancient church of Santa Maria delle Grazie Calcinaio is resting on the hillside, presiding in a welcoming posture to all those strong enough to brave Cortona’s steep inclines.  The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoe makers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.
    Nebbia di sera rotolare giù per la c..olio
  • “Archidado Cortona flag flyers”…<br />
<br />
Every year, a procession of 300 or more people wearing wonderful medieval costumes, as well as many riders on their horses, parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli.  Flag throwing (or flag tossing) is often a major part of the historical costume festivals that are one of the great attractions of Tuscany and, indeed, of all Italy. The performers, known as Sbandieratori, usually young men but with an increasing number of young ladies taking part, dress in medieval costume and are usually accompanied by drummers (Tamburi) and sometimes trumpeters (Trombettieri). Skills range from good to truly excellent. The younger participants engage in synchronized flag waving through tossing and catching their own flags, while the truly skilled carry out amazing and beautiful exercises involving simultaneously throwing two flags to two partners in their team.  I was fortunate to arrive in Cortona from Roma on Sunday, the last day of the festival.
    Giostra dell'Archidao Cortona bandie..tini
  • “Santa Maria delle Grazie di Cortona landscape”…<br />
<br />
The ancient church of Santa Maria delle Grazie Calcinaio is resting on the hillside, presiding in a welcoming posture to all those strong enough to brave Cortona’s steep inclines.  The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoe makers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.
    Santa Maria delle Grazie di Cortona ..rama
  • “Evening fog rolling down the hill of Cortona”…<br />
<br />
This image was created using three horizontal photographs stitched together to form a panoramic evening view of Cortona.  The ancient church of Santa Maria delle Grazie Calcinaio is resting on the hillside, presiding in a welcoming posture to all those strong enough to brave Cortona’s steep inclines.  The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoe makers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.
    Nebbia di sera rotolare giù per la c..tona
  • “The church of Santa Maria delle Grazie Calcinaio – Cortona”…<br />
<br />
The ancient church awaited darkness as the wispy evening clouds appeared like waves in the blue seas of the Mediterranean.  The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoe makers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.  In the background one can view the convent of Le Contesse, the first community of Clarisse nuns who moved there in 1225.
    La chiesa di Santa Maria delle Grazi..tona
  • "Ancient arched facade near Santa Chiara in Assisi" ...<br />
<br />
After a progressive but slow assent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The ancient archway still standing over 2000 years...gives a peak of the valley below.
    Antica facciata ad arco vicino a San..sisi
  • “The bell tower of Santa Chiara in Assisi rises high in the sky”…<br />
<br />
After a progressive but slow assent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen.  God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is of the campanile from the Basilica di Santa Chiara. This 13th-century church houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The churches, Basilicas, Duomos, and all the spiritual history of this tiny hilltop village, force one to realize the blessings of the Saints who traversed the same footsteps as we walk today.  It is remarkable to imagine that seven Saints originated from Assisi over a 15 century period.  What a great percentage of the blessed from such a small town!  Assisi is perhaps one of the most visited pilgrimage areas in the world, and people from all races and religions come here to experience and find the peace which has blessed so many.  They say that one can almost hear all the prayers lifted up from the walls of this most spiritual of places.
    Il campanile di Santa Chiara ad Assi..ielo
  • "Ancient arches and façade of Santa Chiara in Assisi"...<br />
<br />
After a progressive but slow assent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The ancient archways of Santa Chiara give a peak of the valley below.
    Antichi archi e facciata di Santa Ch..sisi
  • “Go down the stairs and you'll find the hostel where Francis was born the poor man”…<br />
<br />
This is the inscription carved into the stone below the sculpture and above the stairway down to the small room where Saint Francis was born.  I passed by this small archway and opening above a staircase and was taken by its simple beauty, never knowing the significance until my return home as my Italian language is a work in progress.  Saint Francis of Assisi was born in 1181, and he became an Italian Roman Catholic friar and preacher. He founded the men's Order of Friars Minor, Order of Saint Clare, and the Third Order of Saint Francis. St. Francis is one of the most venerated religious figures in history.  He was canonized in 1228, and along with Saint Catherine of Siena he was designated Patron saint of Italy. He later became associated with patronage of animals and the natural environment; known for his love of the Eucharist; bearing the wounds of stigmata; the apparition of Seraphic angels during his religious ecstasy; and for the creation of the Christmas Nativity Scene.
    Scendere le scale e troverai L'ostel..ello
  • “St. John the Baptist by Donatello - Duomo di Siena”…<br />
<br />
The Chapel of Saint John the Baptist is situated in the left transept. At the back of this chapel, amidst the rich renaissance decorations, is the bronze statue of St. John the Baptist by Donatello. Donatello was an Italian sculptor of the Renaissance, whose sculptures are both considered supreme expressions of the spirit of this era in architecture and sculpture, and they exercised a potent influence upon the artists of the age. The famous Donatello even during his lifetime, made his sculptures much treasured throughout Italy during the early 15th century. By far the most ambitious of his Sienese work is this bronze statue delivered to the grateful city in which he remained.  The very beautiful Cathedral of Siena retains much of his finest expression of Sacred Art. Donatello himself has become one of the historically iconic artist in history, especially of the Italian Renaissance. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard pressed to find a more complete portfolio than the Cathedral of Siena.
    San Giovanni Battista di Donatello -..iena
  • "St. Jerome - Chigi Chapel of the Duomo of Siena"...<br />
<br />
The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral. In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth. The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. One will travel along a memorable itinerary to the discovery of self and the truth of faith through culture and art, the result of more than a millennium of Western history. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard pressed to find a more complete portfolio than the Cathedral of Siena. I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size. Upon entering into the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space. From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute. Saints Jerome and Mary Magdalen are sculptures by the great Italian artist Gianlorenzo Bernini. Work began on the sculptures in 1661 and now reside in the Chigi Chapel of the Siena Cathedral.
    San Girolamo - Chigi Cappella del Du..iena
  • “Father Peek Prayer of Consecration - Private Mass in the Papal Basilica of San Francesco d'Assisi - Painting by Dino Carbetta”…<br />
<br />
On the seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all! An evening Mass with Fr. Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, but he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen. After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome to those who are blessed to be there but all those who witness its image created by God.
    Padre Peek Preghiera della Consacraz..etta
  • “Ominous Skies Above the Papal Basilica of San Francesco d'Assisi”…<br />
<br />
This late afternoon image was captured while standing upon remnants atop the mountainside of Assisi viewing down to the resting Basilica of Saint Francis. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about 200 yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God. The Basilica, which was begun in 1228 honoring the life of Saint Francis, is probably the most exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Cieli Infausto Sopra la Basilica Pap..sisi
  • “Red bricks lead to the Papal Basilica of San Francesco d'Assisi”…<br />
<br />
This late afternoon image was captured while standing upon remnants atop the mountainside of Assisi viewing down to the resting Basilica of Saint Francis. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about 200 yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God. The Basilica, which was begun in 1228 honoring the life of Saint Francis, is probably the most exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Mattoni rossi piombo alla Basilica P..sisi
  • “The morning fog disappears over the Sacred Convent and the Basilica of San Francesco d'Assisi”…<br />
<br />
The Sacro Convento is a Franciscan friary in Assisi, Italy. The friary is connected as part of three buildings to the upper and lower church of the Basilica of San Francesco d'Assisi, where the friar's custody with great reverence the body of Saint Francis. St. Francis wanted to be buried at this location outside of Assisi's city walls, called Hill of Hell (Collo d'Inferno - here were the gallows where criminals were put to death) because his master Jesus of Nazareth also was killed like a criminal outside of the city of Jerusalem. The Conventual Franciscans consider Assisi as the mother town and the monastery as the spiritual center of their order, while the operations center is located in Rome. Pope Gregory IX laid the cornerstone for the Basilica of San Francesco d'Assisi and the friary on 17 July 1228, the day after the canonization of Saint Francis. In 1230, after two years the lower church was ready to uptake the bones of Saint Francis, who had died at Portiuncula in 1226 and had been transferred to the church San Gregorio, which later became the Basilica di Santa Chiara, after Santa Chiara's death. The original part of the Sacro Convento consisted of a refectory, dormitory, chapter hall, papal hall, and a scriptorium-library. For the first 200 years of its existence, the library rivaled the Sorbonne and Avignon with a comparable number of manuscripts. The façade of the upper basilica is perhaps the most photographed church in the world. It appears smallish and antiquated from the outside. However, the deceptive upper basilica is quite large but gives way to the grand lower basilica. One has no idea of the massive structure below supporting the Basilica of Saint Francis unless realizing the Sacred Convent is the monumental base. This image confirms the magnitude of the entirety of the Convent and the Basilica.
    La nebbia mattutina svanisce sul Sac..sisi
  • “The Light of Life - Convent of Cells Cortona - Painting by Dino Carbetta”…  <br />
<br />
Gospel Mt 17:1-9 Jesus took Peter, James, and his brother, John, and led them up a high mountain by themselves. And he was transfigured before them; his face shone like the sun and his clothes became white as light. And behold, Moses and Elijah appeared to them, conversing with him. Then Peter said to Jesus in reply, “Lord, it is good that we are here. If you wish, I will make three tents here, one for you, one for Moses, and one for Elijah.” While he was still speaking, behold, a bright cloud cast a shadow over them, then from the cloud came a voice that said, “This is my beloved Son, with whom I am well pleased; listen to him. “When the disciples heard this, they fell prostrate and were very much afraid. But Jesus came and touched them, saying, “Rise, and do not be afraid.” And when the disciples raised their eyes, they saw no one else but Jesus alone. As they were coming down from the mountain, Jesus charged them, “Do not tell the vision to anyone until the Son of Man has been raised from the dead.” Ascending from a tiny cell within Le Celle, I noticed the radiant sunlight illuminating the ancient stone stairway. Considering the location, its 1000 years of age, and its Saintly founding fathers, one could not help feeling spiritually exalted as the bright light immersed my ascension to the top. I didn’t quite reach Heaven at the height of the mystic climb, but perhaps the illumination rendered a touch of hope to a weary and petitioning photo-artist.
    La Luce della Vita - Convento di Cel..etta
  • “The glow of the Madonna in the New Church of San Francesco di Assisi – Ethereal”…<br />
<br />
Psalm 46:9-11 “Come and see the works of the LORD, who has done fearsome deeds on earth; Who stops wars to the ends of the earth, breaks the bow, splinters the spear, and burns the shields with fire; Be still and know that I am God! I am exalted among the nations, exalted on the earth.”<br />
<br />
Romans 5:1-5 “Therefore, since we have been justified by faith, we have peace* with God through our Lord Jesus Christ, through whom we have gained access [by faith] to this grace in which we stand, and we boast in hope of the glory of God. Not only that, but we even boast of our afflictions, knowing that affliction produces endurance, and endurance, proven character, and proven character, hope, and hope does not disappoint, because the love of God has been poured out into our hearts through the holy Spirit that has been given to us.
    Il bagliore della Madonna nella Chie..real
  • "Midnight walk along Via Fontebella towards the Basilica of San Francesco d'Assisi"... <br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and Strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day-long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. At first glance of this reverent dwelling, I perceived it to be a religious structure. However, in the typical fashion of the Assisi surroundings, it was just a simple abode with a very mystical red brick sidewalk leading upward toward the light. Clichés abound as the warm light draws one near as if a moth to the flame. I didn’t follow the sidewalk but captured this image to ponder on a later date. Drifting forward the serene, quiet Basilica of Saint Francis stood majestically and glowed in the distant midnight skies. One could not help but to acquiesce to its spiritual yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Mezzanotte passeggiata lungo Via Fon..sisi
  • “Father Peek raises the Chalice for Adoration - The New Church of San Francesco in Assisi”…<br />
<br />
The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honour is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built-in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and on our first morning in Assisi of my Pilgrimage of 2019, Father Peek offered a venerable Mass. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings was bestowed upon the faithful. The specular window light from high above the altar once again illuminates the Body and Blood of Christ as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..sisi
  • “Madonna of Fatima at the Eucharistic Miracle of Siena - Basilica of San Francesco Siena - Artistic Impression by Dino Carbetta”… <br />
<br />
Our Lady of Fatima’s confident declaration was: “My Immaculate Heart will triumph”. Pope Benedict XVI has interpreted this utterance as follows: “The Heart open to God, purified by contemplation of God, is stronger than guns and weapons of every kind. The fiat of Mary, the word of her heart, has changed the history of the world, because it brought the Saviour into the world—because, thanks to her Yes, God could become man in our world and remains so for all time. The Evil One has power in this world, as we see and experience continually; he has power because our freedom continually lets itself be led away from God. But since God himself took a human heart and has thus steered human freedom towards what is good, the freedom to choose evil no longer has the last word. From that time forth, the word that prevails is this: “In the world, you will have tribulation, but take heart; I have overcome the world” (Jn 16:33). The message of Fatima invites us to trust in this promise. Siena is home to the Eucharistic Miracle which is one of the longest on-going miracles in the world. On August 14, 1730, thieves broke into the Church of St. Francis and stole a ciborium containing consecrated hosts. However, since 1730, the hosts have remained fresh and sweet-smelling. The wall mechanically spun around and revealed the Eucharistic Miracle to us. After prayer, I moved to the back and abidingly captured this mystical, spiritual, and reverent manifestation. The Madonna of Fatima stood majestically guarding the precious Hosts.
    Madonna di Fatima al Miracolo Eucari..etta
  • “Water flow from the Convent of Cells - Founded by San Francesco - Cortona”…<br />
<br />
St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Flusso d'acqua dal Convento Di celle..tona
  • “Night view through the arch of the Papal Basilica of San Francesco”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and Strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day-long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. As the serene, quiet Basilica of Saint Francis stood majestically and glowed in the midnight skies, one could not help but to acquiesce to its mystical yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Vista notturna attraverso l'arco di ..esco
  • “Colorful Sunset Above the Papal Basilica of San Francesco di Assisi”…<br />
<br />
This image was created as the hazy sun began to set behind the mountains and a light rain began. The combination of the low, brightly veiled evening sun with the mist of the rain displayed a spectacular prism effect that dazzled the senses and displayed a glorious light show above Assisi. The magnificent display lasted until dark and was one of the many mystical and blessed experiences of my perfect 24 hours in Assisi. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about 200 yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God.
    Tramonto Colorato Sopra la Basilica ..sisi
  • “Madonna with Child - Basilica of San Francesco Siena”…<br />
<br />
Luke Chapter 2:8-14 “Now there were shepherds in that region living in the fields and keeping the night watch over their flock. The angel of the Lord appeared to them and the glory of the Lord shone around them, and they were struck with great fear. The angel said to them, “Do not be afraid; for behold, I proclaim to you good news of great joy that will be for all the people. For today in the city of David a savior has been born for you who is Messiah and Lord. And this will be a sign for you: you will find an infant wrapped in swaddling clothes and lying in a manger.” And suddenly there was a multitude of the heavenly host with the angel, praising God and saying: “Glory to God in the highest and on earth peace to those on whom his favor rests.”<br />
Artist - Ambito di Andrea Vanni, Madonna col Bambino,1398.
    Madonna col Bambino - Basilica di Sa..iena
  • “Madonna of Fatima at the Eucharistic Miracle of Siena - Basilica of San Francesco Siena - Artistic Impression by Dino Carbetta - BW”…<br />
<br />
Our Lady of Fatima’s confident declaration was: “My Immaculate Heart will triumph”. Pope Benedict XVI has interpreted this utterance as follows: “The Heart open to God, purified by contemplation of God, is stronger than guns and weapons of every kind. The fiat of Mary, the word of her heart, has changed the history of the world, because it brought the Saviour into the world—because, thanks to her Yes, God could become man in our world and remains so for all time. The Evil One has power in this world, as we see and experience continually; he has power because our freedom continually lets itself be led away from God. But since God himself took a human heart and has thus steered human freedom towards what is good, the freedom to choose evil no longer has the last word. From that time forth, the word that prevails is this: “In the world, you will have tribulation, but take heart; I have overcome the world” (Jn 16:33). The message of Fatima invites us to trust in this promise.<br />
Siena is home to the Eucharistic Miracle which is one of the longest on-going miracles in the world. On August 14, 1730, thieves broke into the Church of St. Francis and stole a ciborium containing consecrated hosts. However, since 1730, the hosts have remained fresh and sweet-smelling. The wall mechanically spun around and revealed the Eucharistic Miracle to us. After prayer, I moved to the back and abidingly captured this mystical, spiritual, and reverent manifestation. The Madonna of Fatima stood majestically guarding the precious Hosts.
    Madonna di Fatima al Miracolo Eucari..- BW
  • “Eucharistic Miracle of Siena - Basilica of San Francesco Siena”…<br />
<br />
Siena is home to the Eucharistic Miracle which is one of the longest on-going miracles in the world. On August 14, 1730, thieves broke into the Church of St. Francis and stole a ciborium containing consecrated hosts. The theft was discovered the next day by Franciscan priests, and the town’s festivities celebrating the Feast of the Assumption were immediately halted. The bishop asked for prayers and reparations as civil authorities searched for the missing ciborium. On August 17th a parishioner in the Church of St. Mary noticed a bright light coming from a collection box. When the box was opened a large number of hosts were discovered covered by dirt and cobwebs. Counted and examined, these were determined to be the same hosts that were stolen. Normally the priest would have consumed these hosts but since they were covered with dirt and cobwebs it was decided to let them decompose naturally, something that should have taken a few weeks. However, since 1730, the hosts have remained fresh and sweet-smelling. Over the years various tests have been performed that authenticate this miracle.  They are preserved here in Siena in the Basilica of Saint Francis. The hosts are displayed publicly on the 17th of each month, which was the day of the month that they were discovered by the parishioner. Also, on the Feast of Corpus Christi, the hosts are paraded in procession through town. On our Pilgrimage of 2019, Father Peek & Javier our tour guide, arranged with the Franciscan Convent who is in charge of the Basilica to reveal The Miracle to our group in private at the chapel. As we knelt in the medium size chapel, the Priest lit the candles and turned his key in the wall next to the enduring display. The wall mechanically spun around and revealed the Eucharistic Miracle to us. After prayer, I moved to the back and abidingly captured this mystical, spiritual, and reverent manifestation.
    Miracolo Eucaristico di Siena - Basi..iena
  • “Madonna at the Eucharistic Miracle of Siena - Basilica of San Francesco Siena”…<br />
<br />
Siena is home to the Eucharistic Miracle which is one of the longest on-going miracles in the world. On August 14, 1730, thieves broke into the Church of St. Francis and stole a ciborium containing consecrated hosts. However, since 1730, the hosts have remained fresh and sweet-smelling. The wall mechanically spun around and revealed the Eucharistic Miracle to us. After prayer, I moved to the back and abidingly captured this mystical, spiritual, and reverent manifestation. The Madonna of Fatima stood majestically guarding the precious Hosts. Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed “O Mary, you shine continuously on our journey as a sign of salvation and hope. We entrust ourselves to you, Health of the Sick. At the foot of the Cross, you participated in Jesus’ pain, with steadfast faith. You, Salvation of the Faithful Peoples, know what we need. We are certain that you will provide, so that, as you did at Cana of Galilee, joy and feasting might return after this moment of trial. Help us, Mother of Divine Love, to conform ourselves to the Father’s will and to do what Jesus tells us: He who took our sufferings upon Himself, and bore our sorrows to bring us, through the Cross, to the joy of the Resurrection. Amen. We seek refuge under your protection, O Holy Mother of God. Do not despise our pleas – we who are put to the test – and deliver us from every danger, O glorious and blessed Virgin.” Pope Francis.
    Madonna al Miracolo Eucaristico di S..iena
  • “The Spirit of God descends like a Dove - Painting by Dino Carbetta – Azure”…<br />
<br />
Gospel Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”<br />
2 Corinthians 1:3-7 “Blessed be the God and Father of our Lord Jesus Christ, the Father of compassion and God of all encouragement, who encourages us in our every affliction, so that we may be able to encourage those who are in any affliction with the encouragement with which we ourselves are encouraged by God. For as Christ’s sufferings overflow to us, so through Christ* does our encouragement also overflow. If we are afflicted, it is for your encouragement and salvation; if we are encouraged, it is for your encouragement, which enables you to endure the same sufferings that we suffer. Our hope for you is firm, for we know that as you share in the sufferings, you also share in the encouragement.”
    Lo Spirito di Dio scende come una Co..urro
  • “Chapel of the Blessed Sacrament - Adoration of the Shepherds Duomo di Siena”... <br />
<br />
Located at the corner between the right transept and the presbytery, in a position corresponding to the Chapel of Sant'Ansano, the Chapel of the Blessed Sacrament occupies this span. The altarpiece is a canvas depicting the Adoration of the Shepherds by Alessandro Casolani beginning in 1594. The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral. In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth. The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard-pressed to find a more complete portfolio than the Cathedral of Siena. I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size. Upon entering the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space. From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.
    Cappella del Santissimo Sacramento -..iena
  • “Twilight ascent to Rocca Maggiore Assisi”… <br />
<br />
Gospel Mt 7:6, 12-14 Jesus said to his disciples: “Do not give what is holy to dogs, or throw your pearls before swine, lest they trample them underfoot, and turn and tear you to pieces. “Do to others whatever you would have them do to you. This is the Law and the Prophets. “Enter through the narrow gate; for the gate is wide and the road broad that leads to destruction, and those who enter through it are many. How narrow the gate and constricted the road that leads to life. And those who find it are few.” Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the reward was always greater than the physical agony endured. "My soul can find no staircase to Heaven unless it be through Earth's loveliness." - Michelangelo.
    Salita del crepuscolo fino a Rocca M..sisi
  • “I saw the Spirit descend like a Dove - Painting by Dino Carbetta – Azure”…<br />
<br />
Acts 2:1-4 “When the time for Pentecost was fulfilled, they were all in one place together. And suddenly there came from the sky a noise like a strong driving wind, and it filled the entire house in which they were. Then there appeared to them tongues as of fire, which parted and came to rest on each one of them. And they were all filled with the Holy Spirit and began to speak in different tongues, as the Spirit enabled them to proclaim. Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”
    Ho visto lo Spirito scendere come un..urro
  • “The mystical evening sun's rays peeking over the hills of Assisi”…<br />
<br />
This image was captured as the hazy sun began to set behind the mountains and a light rain began. The combination of the low, brightly veiled evening sun with the mist of the rain displayed a spectacular prism effect that dazzled the senses and displayed a glorious light show above Assisi. The magnificent display lasted until dark and was one of the many mystical and blessed experiences of my perfect 24 hours in Assisi. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about 200 yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God.
    Il mistico serata raggi del sole cap..sisi
  • “Assisi front door with a lot of character”… <br />
<br />
Italy is famous for its display of fresh and beautiful flowers and foliage outside the windows and doors throughout the countryside, and Assisi was no different with the exception of the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world but in this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Assisi porta di casa con un molto di..tere
  • La Beata Vergine Maria - Dipinto di Dino Carbetta - Rosa <br />
<br />
“The Blessed Virgin Mary - Painting by Dino Carbetta - Rose”… Upon completion of a new and original painting of the teenage Virgin Mary, I sit and stare into her eyes trying to imagine the complexity of the overwhelming magnitude of the future Mother of Christ. Her sincere and loving gaze, illuminating with the glow of the Holy Spirit within her very soul emanates outwardly representing all Mothers. I envision my wonderful Mother as I struggled to bring this two-dimensional representation to life. Again, my humble skills, yet meticulous manner combined to exhaust one complete month of trial and error. Irrevocably, a courageous young teenage Jewish girl is blessed beyond comprehension… <br />
“The Virgin Mother is constantly present on this journey of faith of the People of God towards the light. This is shown especially by the canticle of the "Magnificat," which, having welled up from the depths of Mary's faith at the Visitation, ceaselessly re-echoes in the heart of the Church down the centuries. This is proved by its daily recitation in the liturgy of Vespers and at many other moments of both personal and communal devotion.” (Saint John Paul II) <br />
"My soul magnifies the Lord, <br />
and my spirit rejoices in God my Savior, <br />
for he has looked on his servant in her lowliness. <br />
For behold, henceforth all generations <br />
will call me blessed; <br />
for he who is mighty has done great things for me,<br />
and holy is his name: <br />
and his mercy is from age to age <br />
on those who fear him. <br />
He has shown strength with his arm,<br />
he has scattered the proud-hearted,<br />
he has cast down the mighty from their thrones, <br />
and lifted up the lowly; <br />
he has filled the hungry with good things, <br />
sent the rich away empty. <br />
He has helped his servant Israel, <br />
remembering his mercy, <br />
as he spoke to our fathers, <br />
to Abraham and to his posterity forever." (Lk.1:46-55)
    La Beata Vergine Maria - Dipinto di ..Rosa
  • “The Immaculate Heart of Mary - Painting by Dino Carbetta”…<br />
<br />
The Immaculate Heart of Mary is a devotional name used to refer to the interior life of the Blessed Virgin Mary. Early Christians were first attracted by the love and virtues of the Heart of Mary. The Gospel itself invited this attention with exquisite discretion and delicacy. Compassion for the Virgin Mother was the first characteristic of this devotion and appeal. It was at the foot of the Cross that the Christian heart first made the association to the Heart of Mary. Simeon's prophecy paved the way and furnished the devotion with one of its favorite formulae and most popular representations: “the heart pierced with a sword.” But Mary was not merely passive at the foot of the Cross; "she cooperated through charity," as St. Augustine says, ‘in the work of our redemption." The veneration of the Heart of Mary is analogous to the worship of the Sacred Heart of Jesus. There are, however, differences in this analogy as devotion to the heart of Jesus is especially directed to the "divine heart" as overflowing with love for humanity. In the devotion to Mary, however, the attraction is the love of her heart for Jesus and God. The second difference is the nature of the devotion itself: in the devotion to the Sacred Heart of Jesus, the Roman Catholic venerates in a sense of love responding to love, in the devotion to the Heart of Mary, study and imitation hold as important a place as love. The devotion aims to unite humankind to God through Mary's heart, and this process involves the ideas of consecration and reparation. The idea for this painting was to include all the elements of Her perfect Heart, Christ, and His Holy Spirit.
    Il Cuore Immacolato di Maria - Dipin..etta
  • “Santa Rita di Cascia inside Santa Maria Sopra Minerva Assisi - Painting by Dino Carbetta”…<br />
<br />
“Saint Rita of Cascia was a wife, mother, widow, and member of a religious community. Her holiness was reflected in each phase of her life. Born at Roccaporena in central Italy, Rita wanted to become a nun but was pressured at a young age into marrying a harsh and cruel man. During her 18-year marriage, she bore and raised two sons. After her husband was killed in a brawl and her sons had died, Rita tried to join the Augustinian nuns in Cascia. Unsuccessful at first because she was a widow, Rita eventually succeeded. Over the years, her austerity, prayerfulness, and charity became legendary. When she developed wounds on her forehead, people quickly associated them with the wounds from Christ’s crown of thorns. She meditated frequently on Christ’s passion. Her care for the sick nuns was especially loving. She also counseled lay people who came to her monastery. Beatified in 1626, Rita was not canonized until 1900. She has acquired the reputation, together with Saint Jude, as a saint of impossible cases. Many people visit her tomb each year.” It is said that near the end of her life Rita was bedridden at the convent. While visiting her, a cousin asked if she desired anything from her old home. Rita responded by asking for a rose from the garden. It was January, and her cousin did not expect to find one due to the season. However, when her relative went to the house, a single blooming rose was found in the garden, and her cousin brought it back to Rita at the convent. Other than Mother Mary, I found Saint Rita to be venerated everywhere in Italy. Her peaceful gaze grants each visitor with blessings of devoted compassion and loving tenderness.
    Santa Rita di Cascia all'interno di ..etta
  • “Let Us Begin Again – Painting by Dino Carbetta”…<br />
<br />
“Let us begin again, for until now we have done nothing,” Francis uttered these words as he was nearing his death. He knew that conversion is never a single moment and a flash of lightning but a lifelong journey. Thus, every day we need to constantly renew our commitment to Christ which we vowed in our baptism, to follow the Gospel as we have promised in our Christian journey, to be closer to God as our spirituality would require. In the Incarnation, Jesus, in divesting himself of divine glory to embrace a poor human existence except for sin elevated all of our humanness to its divine condition. St. Francis does not treat Scripture as texts to be studied, but as the living word, this mystery was at the heart of his understanding of who God is. For Francis, a meditation on this divine prophecy was at the heart of his understanding of God’s saving love for us. It was also at the heart of Francis’s wholehearted embrace of poverty, of humility, of all of the divine virtues.
    Let Us Begin Again – Painting by Din..etta
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