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Una passeggiata serale sulle antiche..ieto
Il colori di Capri
Gli angeli osservano dall'alto la Ch..apri
Il mio sogno la mia strada - Isola d..apri
In God Is Our Trust ... Painting by ..etta
Angelo con la Croce - Ponte Sant'Ang..Roma
Vista dal Canal Grande della chiesa ..ossa
Madonna Addolorata Azzurre - Duomo d..sisi
Angeli della Passione guardia Castel..gelo
Albergo Oasi Neumann ex Monastero Le..tona
Serata tranquilla vista di Praiano d..urro
Madre Maria sotto la Croce - del Con..tona
Venezia azzurro barca
Una vista da Positano a Praiano dei ..aneo
La chiesa di Santa Maria delle Grazi..tona
Madonna Addolorata Azzurre - Duomo d..sisi
Madonna Addolorata Azzurre - Duomo d..anza
Madonna Addolorata Radiante Azzurre ..etta
Angelo con la Croce sul Ponte Sant'A..Roma
Chiesa Monumentale di San Michele Ar..apri
Un milione di volti di Gesù di Dino ..rone
Tardo Pomeriggio di Colori Sull'Isol..apri
La strada di Ciottoli blu converge s..stre
Foglie incorniciano Positano nel sol..ggio
L'Arch Basilica Papale di San Giovan..Roma
Vista dal Canal Grande della chiesa ..urro
Madonna Addolorata Azzurre - Duomo d..vina
La veranda di Hotel Giotto Presenta ..sisi
Tramonto vista di Manarola fin da il..Mare
La Basilica di Santa Maria della Sal..mare
Vista panoramica della maestosa Isol..apri
Il campanile di San Pietro domina il..glia
Madonna e Cristo Bambino sopra Chies..apri
Passeggiata serale sulle antiche str..ieto
Riflessione di alba di il mare azzur..tano
Una vista panoramica della maestosa ..apri
Madonna Addolorata Radiante Azzurre ..sisi
Nebbia scende su Albergo Oasi Neuman..tona
Barche da pesca a riposo su azzurre ..ande
Let Us Begin Again – Painting by Din..etta
And this be our motto - In God is ou..etta
Vista panoramica della Cattedrale di..enzo
Crocifisso altare maggiore dalla par..dova
Padre Peek eleva I'Host per l'Adoraz..ezia
Assisi porta di casa con un molto di..tere
Ca' Rezzonico Fondazione Musei Civic..uele
La barca di San Pietro sonnecchia di..ento
Crepuscolo cade sul porto di Riomaggiore
Illuminato crocifisso in Cattedrale ..ento
Silhouette di gondolieri contro il t..osso
Altare maggiore panorama della Basil..enze
La luce dal Paradiso - Cappella Sist..Roma
Alba rottura attraverso le nuvole so..tano
Cristo Crocifisso - Chiesa Monumenta..apri
Il Duomo di Orvieto cerca il paradis..cime
Angelo custode aiuta a illuminare l'..etta
Cristo in Battistero - La Basilica d..Roma
Il Crocifisso - La Basilica di Santa..etta
Gesù di Nazareth - Peschereccio Sorr..ento
Dare seme a Colui che semina, Neve -..etta
La Chiesa Nuova luogo di nascita di ..sisi
Positano's Chiesa di Santa Maria Ass..sera
Campanile - Basilica di Santa Maria ..enze
Venezia Sole di Sera Riflessioni
Altare della basilica dell'Archil di..rano
Positano villa le scale e fiori
Crepuscolo scende sul Colosseo di Roma
La chiesa di Santa Maria Assunta cus..tano
Radiante vista tramonto da Albergo M..tano
Acqua flusso di passaggio le Convent..tona
Ora D'oro Crocifissione - Dipinto di..etta
Santissimo Crocifisso all'interno de..etta
Sant'Elena con in mano la croce - Sa..Roma
Tiziano - Assunzione della Vergine s..ezia
Crocifisso accanto al Confessionale ..etta
Assisi sereno pomeriggio vista della..alto
Crocifissione oltre l'ingresso dell'..dova
Cattedrale dei Santi Filippo e Giaco..ione
Madonna al Miracolo Eucaristico di S..iena
Padre Peek Celebra la Cena dell'agne..alfi
San Pietro in il Arcibasilica Papale..rano
Tramonto sul canale in Ca 'd'Oro - V..ezia
Padre Peek Eleva Consacrata l'ostia ..ssia
Trittico sopra l'Altare della Chiesa..tona
Bougainvillea antecipa tramonto di s..iera
La Sacra Famiglia protegge l'ingress..iano
Tramonto luna splende sopra pino alb..unno
Luce del sole splende sulla Convento..tona
I fiori vibrante e porte di Cortona
I Musei Vaticani doppia elica scala ..iola
Rio de le Romite, nel Sestiere di Do..ezia
Il Corvo di Venezia di Pietro Piccio..etta
Santa Caterina si estende la Croce e..etta
Il ritorno di Francesco uomo peniten..iesa
Il Supremo Sacrificio ricordato dura..etta
Monumento a San Francesco d'assisi a..etta
Porte centrali in bronzo di San Paol..aolo
Panorama sorrentino di barche da pes..ento
Notre Dame de Bétharram Nostra Signo..etta
Immacolata, Regina e Madre della Chi..etta
Next
![“Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi”…<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://m.psecn.photoshelter.com/img-get2/I0000TyBB5mduLSs/fill=/fit=200x200/I0000TyBB5mduLSs.jpg)
!["Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi"...<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://m.psecn.photoshelter.com/img-get2/I0000Pf36JaMJDdk/fill=/fit=200x200/I0000Pf36JaMJDdk.jpg)
!["Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Luminance"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://m.psecn.photoshelter.com/img-get2/I0000fPjHBbRRdvw/fill=/fit=200x200/I0000fPjHBbRRdvw.jpg)
![“Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://m.psecn.photoshelter.com/img-get2/I0000TEOwMlL4oA8/fill=/fit=200x200/I0000TEOwMlL4oA8.jpg)
!["Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Olivina"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://m.psecn.photoshelter.com/img-get2/I0000raej_1YdxkQ/fill=/fit=200x200/I0000raej_1YdxkQ.jpg)
![“Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi”…<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://m.psecn.photoshelter.com/img-get2/I00001PVHXqReI4I/fill=/fit=200x200/I00001PVHXqReI4I.jpg)
![“The boat of San Pietro slumbers in the evening sun - Marina Grande Sorrento”…<br />
<br />
Duomo di Sorrento is one of my favorite hidden treasures of Italy. Our last day on the bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourist, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely white boat gleamed in the late evening sun resting upon the wet sand. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith,* why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return again capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.](https://m.psecn.photoshelter.com/img-get2/I0000uG26p7OSCTY/fill=/fit=200x200/I0000uG26p7OSCTY.jpg)
![“Giving seed to the One who sows, Snow - Painting by Dino Carbetta”…<br />
<br />
[Isaiah 55:10-13] Yet just as from the heavens the rain and snow come down And do not return there till they have watered the earth, making it fertile and fruitful, Giving seed to the one who sows and bread to the one who eats, So shall my word be that goes forth from My mouth; It shall not return to me empty, but shall do what pleases me, achieving the end for which I sent it. Yes, in joy you shall go forth, in peace you shall be brought home; Mountains and hills shall break out in song before you, all trees of the field shall clap their hands. In place of the thornbush, the cypress shall grow, instead of nettles, the myrtle. This shall be to the LORD’s renown, as an everlasting sign that shall not fail.](https://m.psecn.photoshelter.com/img-get2/I0000y7sGUf0wTnY/fill=/fit=200x200/I0000y7sGUf0wTnY.jpg)
![“Golden Hour Crucifixion – Painting by Dino Carbetta”…<br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. This is the story of my experience with the "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... The crucifix was centered at the bottom of the image and small. I decided to paint the crucifix using the original silhouette and front illumination. I added a magnificent sunset or “Golden Hour” to highlight the Crucifix. “yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.” [Galatians 2:20]](https://m.psecn.photoshelter.com/img-get2/I0000JF5qhMiAUvM/fill=/fit=200x200/I0000JF5qhMiAUvM.jpg)
![“Father Peek Celebrates the Lamb's Supper - Amalfi Cathedral”…<br />
<br />
A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X shaped crucifix, my mind wandered off the true nature of this chosen man who became a Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy! Our Pilgrimage of 2019 found us celebrating Mass in the chapel just to the left of the High Altar below the image of the “Last Supper.” A reverent and poignant remembrance of cherished time on the Amalfi Coast.](https://m.psecn.photoshelter.com/img-get2/I0000z5mCVYrdLwc/fill=/fit=200x200/I0000z5mCVYrdLwc.jpg)
![Immaculate, Queen and Mother of the Church - Painting by Dino Carbetta<br />
<br />
“Who are you, O Immaculate Conception?” asks St. Maximilian Maria Kolbe. The Knight of the Immaculata goes on: “Not God, for God has no beginning. Not Adam, made from the dust of the earth. Not Eve, drawn from Adam’s body. Nor is she the Incarnate Word who already existed from all eternity and who was conceived, but is not really a “conception.” Prior to their conception, the children of Eve do not exist, hence they can more properly be called “conceptions;” and yet you, O Mary, differ from them too, because they are conceptions contaminated by original sin, whereas you are the one and only Immaculate Conception. In the union of the Holy Spirit with her, not only does love bind these two beings, but the first of them [the Holy Spirit] is all the love of the Most Holy Trinity, while the second [the Blessed Virgin Mary] is all the love of creation, and thus in that union heaven is joined to earth, the whole heaven with the whole earth, the whole of Uncreated Love with the whole of created love: this is the vertex of love.” Virgin Mary proclaimed to St. Bernadette Soubirous: “I am the Immaculate Conception.” In the words of St. Maximilian, the Blessed Virgin is the Created Immaculate Conception, as the Holy Spirit is the Uncreated Immaculate Conception. In the words of St. Francis of Assisi, Mary is the Spouse of the Holy Spirit. St. Maximilian Kolbe, a true son of St. Francis, explains: “What kind of union is this? It is above all interior; it is the union of her very being with the being of the Holy Spirit. The Holy Spirit dwells in her, lives in her, from the first instant of her existence, and he will do so always, throughout eternity… This uncreated Immaculate Conception conceives divine life immaculately in the soul of Mary, his Immaculate Conception. The virginal womb of her body, too, is reserved for him who conceives there in time—the divine life of the God-Man.”](https://m.psecn.photoshelter.com/img-get2/I0000oO030URjjio/fill=/fit=200x200/I0000oO030URjjio.jpg)
